I love working with glass. I deem it a solid liquid, powerful but poetic, dynamic yet static, sensual and versatile. The light of day is paramount for harmony and wellbeing. I always strive to maximise both light and bright colours of what surrounds us and glass is oftentimes a source. I love the role that light plays with glass whose thickness can make colours alter and can modulate the interaction of translucent, opaque and transparent glasses amongst each other to create new combinations. I use organic shapes fused with one another. I describe my work as sensual minimalism or “sensualism” as it isn’t aimed at merely adorn; but it has something more human, a more sensual bond with us. I wish for what surrounds us to be smart, beautiful, colourful, poetic, useful, sexy, enlightening, inspiring, contemporary, dynamic, ephemeral and powerful and for inspiration to rise from the world that we dwell.
Purho is a company made entirely of transparency and colors. Namely, it is made of the elegance of Murano glass. It is also the result of the quality of its authors, who devote themselves to this game of collections and evanescence. Every visit to Murano is an immersion in a past full of energies, which have been renewed for centuries into new iridescent objects (both old and contemporary), with a maniacal transfiguration of styles, customs, techniques, and sensations. Purho company is working at the heart of this system, creating small masterpieces. My vases for Purho work on shapes, colors and surfaces with much freedom, but they do follow the rules of a sophisticated catalogue that specifies common standards, scripts and mentalities. My three lines of vases Petalo, Freccia, Gemello feature wide variations of shapes, colors and sizes, and they represent a domestic overview by which I am deeply fascinated myself, with its strong and delicate charm.
I am inspired by life in general: the people I met, the towns in which I lived, the neighbouring and distant countries I visited. I hope that others can feel emotions, watching, using or offering my creations. Glass, glass, glass: the tinkling pendants in Kieślowski’s “Blue”, the Christmas balls, a jar of peanut butter breaking into pieces back in my childhood, the first glasses created with my Maestro Ettore Sottsass and, most of all, the island of Murano. The glowing island of reflections, glare, colours and transparencies. The island of fragility, the sunrises, grappa and the scents and sounds of holidays. Thanks to Purho, I feel enchanted again.
Form and material. These are the core elements of every product and its design process. By introducing us to the Murano’s glass production, it was our collaboration with Purho that uncovered new possibilities to help shape our design. This new world we stepped in was a magical experience for VI+M. What we learned was that there is a peculiarity that glassmakers’ timeless expertise and magic have in common: they are unreachable. Purho’s approach to its work and design follows a clear path. A path VI+M shares in its attempt to reach innovation through an open dialogue with the artisanal tradition. That’s how Normanna came to life. When the roots of our vision that always bring us back to Sicily met the Murano glass, the result was a contemporary artifact that combines extremely diverse natures and define its form by its material.
I’ve always looked at glasses. As a student in Venice, glass was the final goal of many excursions I made, as I wanted to understand both its oneiric side and its solidity, even in its most ethereal shapes. The complexity of glass and, mainly, its transformation, has been an endless source of inspiration. Colour, dimension, transparency are all elements being transferred from your pencil to the Master’s hands, who is able to shape your idea with your drawing still in progress. This “coworking” was at the heart of my enthusiastic adhesion to Purho’s proposal of collaboration to create new glasses, in continuity with what Murano and their glasses have always represented all over the world.
I have been working with Purho since January 2017. Right from the start, it was like diving into a new world, the universe of glass, in a completely unexpected reality. A continuous exchange of views has begun, giving rise to Cubes, a work in the essential where archetypal forms are fundamental to express color and the great effect of the power of glass. Pastelli, on the other hand, is the occasion to tell an innocent vision of colors, a simple, cheerful and domestic one, in this exhibit of glass. I am sure that this is just the beginning of a profound professional path.